Museum of Danish Resistance

In the very heart of Copenhagen next to the Royal Palace Amalienborg you will find the brand-new Resistance Museum. In the dark, streets of the occupied Denmark, you’ll meet five historical figures. Each one chose their own path and must face the consequences.

In the very heart of Copenhagen, next to the Royal Palace Amalienborg, The Citadel and The Little Mermaid, you will find the Resistance Museum. Here you can experience life under the Nazi-occupation during WW2 from 1940-1945.

In the dark, streets of the occupied Denmark, you’ll meet five historical figures. Each one chose their own path and must face the consequences.
Discover the dramatic story of the Jewish medical student, Abraham Steinbock who with his family sailed to Sweden on a fishing boat in October 1943. The authentic fishing boat is a part of the exibition.

Dive deeper into acts of sabotage, produce illegal newspapers, crack codes and intercept telephone calls. All Danes had to choose between joining the resistance, collaborate with the Germans or try to keep a low profile and get through tough times during the occupation.

Copenhagen Stumbling Stones

In 2018 a commity was created raising money to place stumbling stones commemorating victims of Nazi crimes during WW2. In 2019 the first 12 stumbling stones were placed around Copenhagen. Today more than 100 stumbling stones a placed all over the country, bringing attention to Jews, resistance people, policemen, and others who all suffered from Nazi prosecution. German artist Gunther Demnig started up this project in 1992. Today more than 94.000 Stumbling stones can be found in 29 countries in Europe.

Jewish Community Center

Next to The Great Synagogue of Copenhagen you can find the Jewish Community Center. The Jewish Community in Denmark is an officially recognized religious community with approximately 1,800 members. There is an estimated number of 6-7,000 Jews in Denmark of which most are living in Copenhagen and the immediate surroundings.

There has been a Jewish presence in Denmark for more than 400 years. In 1814, the new Royal Decree was issued which gave Jews who were born in Denmark the same rights as other citizens of Denmark.

Today the Danish Jewish Community contains Jews with many different opinions and ways to live a Jewish life. The community is in other words the framework of a broad cultural community for both religious and non-religious (secular) Jews.

There is also a broad variety of organizations in the Jewish Community, many of them are branches of international Jewish organisations such as WIZO, The Zionist Federation, Keren Kayemet, Keren Hayesot, Maccabi (Hakoah) and B’nei Akiva. They all contribute to a rich cultural life in the community.

The community- and cultural centre of the Jewish Community is located next to the Synagoge.

Levinsky Market

Levinsky Market was established primarely to fulfill an existential need of the residents of the Florentine neighborhood. Not only was this market essential to offer basic goods and groceries to the locals, but also to create new jobs. The founders of the market immigrated from the Balkan area (Greece and Turkey). Back in the day, famous chefs would come from near and far to the Levinsky market, solely to seek out special and secret ingredients needed to serve the needs of their gourmet restaurants.

Arch Bridge

Of the seven bridges that existed in the Guba region between the 17th and 19th centuries, this is the only one that still remains. This longest bridge was built in 1894 by Alexander III to strengthen Russia’s military presence in the Caucasus, replacing a wooden bridge built over the Gudialchay river in 1851. Originally, a 19-span bridge was planned. However, due to landslides during construction, lower numbers were chosen.

The bridge has 14 spans, a
total length of 275 meters, and an 8-meter width. Because of its multi-span
design, the bridge can withstand powerful massive flooding and mudflows that
raise the river’s water level. This is Azerbaijan’s only bridge of this type
from the nineteenth century. The bridge is now only used by pedestrians and
offers a spectacular view of Red Village. It provides easy access to Red
Village from Nizami Park, the city’s oldest park. The bridge has been
designated as an architectural landmark by the state.

Many young Mountain Jews have
relocated to cities to further their education and learn trades. The burnt
bricks used to build the old bridge saw many changes in Red Village, from the
heyday of religious life in the early twentieth century, when the village had
13 synagogues, to the arrival of Soviet power and subsequent religious
repression, to soldiers being escorted to the front in World War II, many of
whom never returned. It has come to represent the settlement and the close ties
between two cultures: the Muslims of Guba and the Jews of Red Village.

 

Heydar Aliyev Park

This park, named after Azerbaijan’s national leader, Heydar Aliyev, was built in 2011 for the local community and visitors. The area of the cafe includes gardens with blooming roses, benches for visitors to rest, an administrative office, and a teahouse for the village elders.

In the park, there is a well-known club and teahouse where local agsakkals (literally “white beards,” or village elders) gather to drink tea and play backgammon, free of charge.  The club teahouse is built on the site of a synagogue that was built in 1911 and subsequently transformed into a manufacturing site during the Soviet era before being demolished.

Western Wall (Kotel)

The Western Wall, otherwise known as the Wailing Wall, often shortened to The Kotel, and known in Islam as the Buraq Wall, is an ancient limestone wall in the Old City of Jerusalem. It is a relatively small segment of an ancient retaining wall, originally erected to expand the Second Jewish Temple. Herod the Great initiated this construction, resulting in the enclosed, natural, steep hill that today, Jews and Christians refer to as the Temple Mount. It is a large rectangular structure topped by a flat platform, creating additional space for the Temple itself, auxiliary buildings, worshippers, and visitors.

The Western Wall’s holiness in Judaism is a result of its proximity to the Temple Mount. Because of the Temple Mount entry restrictions, the Wall is the holiest place where Jews are permitted to pray, though the Foundation Stone, the most sacred site in the Jewish faith, lies behind it. The original, natural, and irregular-shaped Temple Mount was gradually extended to allow for an ever-larger Temple compound to be built at its top. This process was finalized by Herod, who enclosed the Mount with an almost rectangular set of retaining walls, made to support the Temple platform and using extensive substructures and earth fills to give the natural hill a geometrically regular shape. On top of this box-like structure, Herod built a vast paved platform that surrounded the Temple. Of the four retaining walls, the western one is considered closest to the former Holy of Holies, which makes it the most sacred site recognized by Judaism outside the previous Temple Mount platform.

Just over half the wall’s total height, including its 17 courses located below street level, dates from the end of the Second Temple period, and is commonly believed to have been built by Herod the Great starting in 19 BCE, although recent excavations indicate that the work was not finished by the time Herod died in 4 BCE. The very large stone blocks of the lower courses are Herodian, the courses of medium-sized stones above them were added during the Umayyad period, while the small stones of the uppermost courses are of more recent date, especially from the Ottoman period.

The term Western Wall and its variations are mostly used in a narrow sense for the section traditionally used by Jews for prayer; it has also been called the “Wailing Wall”, referring to the practice of Jews weeping at the site over the destruction of the Temples. During the period of Christian Roman rule over Jerusalem (ca. 324–638), Jews were completely barred from Jerusalem except to attend Tisha B’Av, the day of national mourning for the Temples, and on this day the Jews would weep at their holy places. The term “Wailing Wall” was thus almost exclusively used by Christians, and was revived in the period of non-Jewish control between the establishment of British Rule in 1920 and the Six-Day War in 1967. The term “Wailing Wall” is not used by religious Jews, and increasingly not by many others who consider it derogatory.[5]

In a broader sense, “Western Wall” can refer to the entire 488-metre-long (1,601 ft) retaining wall on the western side of the Temple Mount. The classic portion now faces a large plaza in the Jewish Quarter, near the southwestern corner of the Temple Mount, while the rest of the wall is concealed behind structures in the Muslim Quarter, with the small exception of an 8-metre (26 ft) section, the so-called Little Western Wall. The segment of the western retaining wall traditionally used for Jewish liturgy, known as the “Western Wall” or “Wailing Wall”, derives its particular importance to it having never been fully obscured by medieval buildings, and displaying much more of the original Herodian stonework than the “Little Western Wall”. In religious terms, the “Little Western Wall” is presumed to be even closer to the Holy of Holies and thus to the “presence of God” (Shechina), and the underground Warren’s Gate, which has been out of reach for Jews from the 12th century till its partial excavation in the 20th century, even more so.

Whilst the wall was considered Muslim property as an integral part of the Haram esh-Sharif and waqf property of the Moroccan Quarter, a right of Jewish prayer and pilgrimage existed as part of the Status Quo.[6][7][8] This position was confirmed in a 1930 international commission during the British Mandate period.

The earliest source mentioning this specific site as a place of Jewish worship is from the 17th century.[9][10] The previous sites used by Jews for mourning the destruction of the Temple, during periods when access to the city was prohibited to them, lay to the east, on the Mount of Olives[5] and in the Kidron Valley below it. From the mid-19th century onwards, attempts to purchase rights to the wall and its immediate area were made by various Jews, but none was successful. With the rise of the Zionist movement in the early 20th century, the wall became a source of friction between the Jewish and Muslim communities, the latter being worried that the wall could be used to further Jewish claims to the Temple Mount and thus Jerusalem. During this period outbreaks of violence at the foot of the wall became commonplace, with a particularly deadly riot in 1929 in which 133 Jews were killed and 339 injured. After the 1948 Arab–Israeli War the eastern portion of Jerusalem was occupied by Jordan. Under Jordanian control Jews were completely expelled from the Old City including the Jewish Quarter, and Jews were barred from entering the Old City for 19 years, effectively banning Jewish prayer at the site of the Western Wall. This period ended on June 10, 1967, when Israel gained control of the site following the Six-Day War. Three days after establishing control over the Western Wall site, the Moroccan Quarter was bulldozed by Israeli authorities to create space for what is now the Western Wall plaza.[11]

Ghetto of Padua

There are various traces indicating a stable Jewish presence in the city from the late 13th century. The group lived in relatively peaceful conditions, working mainly as merchants and moneylenders, for as long as the city was ruled by the Carraresi family (1318 – 1405). When the city was taken over by the Venetian Republic (1405), there was a gradual worsening of conditions, particularly with regard to business activities. However, the Jews were still permitted to graduate from the city’s prestigious university, albeit paying additional fees. It was from that period on, in fact, that Padua became an important hub for Jewish studies, hosting eminent academics.

The Jews were segregated in the ghetto in 1603. The area adjacent to Piazza delle Erbe was chosen, as the Jewish community had been concentrated there for some time and there were already Jewish shops and two synagogues in the area. Guarded gates isolated the ghetto during night hours: two on what is now Via S. Martino e Solferino (one just beyond Via Roma and the other on the corner of Via dei Fabbri), one at the beginning of Via dell’Arco, and another along Via delle Piazze. The residential area, for which high rents were charged, was cramped and unsanitary (containing 655 inhabitants in 1616); this led it to be developed in a vertical direction, by constructing tall buildings with low ceilings on each floor, such as in the residential towers on Via dell’Arco.

The main hub of the area was the courtyard of the Scola Todesca (Via S. Martino e Solferino, 20); according to a never-completed project, this courtyard was intended to englobe the adjacent Corte dei Lenguazzi, to become the ghetto’s central square.
The segregation order was dropped with the arrival of the French in 1797, and was not restored when the city came under Austro-Hungarian rule. Full equality was achieved in 1866 with the city’s annexation to the Kingdom of Italy.
Even after the ghetto was abolished, the community’s main existing institutions – the synagogues, the Rabbinical College, and the school – remained in this area.

Guided tours can be booked through the Museo della Padova Ebraica

Museum of Jewish Padua

The museum is in Padua’s Old Town, in the area of the Ghetto, inside the building of the former German Synagogue, the Scola Grande, built in 1682. In May 1943 the building was almost completely destroyed by flames set by the Fascist Squadrons and then restored by Padua’s Jewish Community in the post war period. In the museum are displayed traditional objects of the Jewish community, among which some Ketubboth (Wedding contracts), ritual objects for family use (candlesticks, spice-holders, plates for Pesach, glasses for Kiddush) and ritual objects for the synagogue (crowns, Sefer Torah, prayer books, musical scores, precious textiles). An Egyptian Mameluke manufacture parokhet dating back to the first half of the 16th century and Megikllath Ester manuscripted and decorated on parchment (18th century) are noteworthy.

A central and innovative element of the museum is the video installation “A generations goes, a generation comes” by the film conductor Denis Brotto. Ten representative personalities of history of the Jewish Community in Padua “get alive” together with the history and the places of the Jewish life.

Italian Synagogue

Only one of the three synagogues is still in use today. It was founded in 1548, perhaps to replace the previous Italian rite synagogue located in Piazza delle Legne.
Having been transferred to its current site as late as 1603, its interiors were completed during the 17th century and it was further renovated in the 19th century. It remained active until 1892, when the entire community decided to follow the Italian rite as standard, keeping only the Scuola Grande on Via delle Piazze in use. However, the Italian Synagogue was later restored after the Second World War, when the Scuola Grande was destroyed by fire and rendered inaccessible.

The hall is situated on the upper floor of a building which bears no external features to indicate its function. It has an oblong rectangular layout, organised according to the traditional bi-focal arrangement, with the aron and tevah placed centrally on opposite walls, in this case along the longest sides.

The seventeenth-century aron hakodesh has features in common with altars in various churches in Veneto from the same period. It is enclosed by carved, gilded wooden doors and is framed by an aedicule structure with veined grey marble columns and a semi-circular divided tympanum. On the opposite side, it is faced by an elaborate canopied tevah. This tevah, in keeping with a local tradition, was made entirely out of timber from a plane tree in the Botanical Gardens which had been struck by lightning in the 16th century. It has a raised base accessed by two curved staircases on either side.

The perimeter of the room is decorated with wooden panelling with seating for the public from the late seventeenth-century. The upper section of the woodwork, with marmorino inlaid panels, dates from work carried out in 1831, when it replaced gilded leather panels.

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