Great Synagogue of Copenhagen

The Great Synagogue of Copenhagen is considered to be one of the most beautiful Synagogues in Europe. It was designed by architect G.F. Hetsch in semi-oriental style and constructed from 1830-1833.

The Great Synagogue of Copenhagen was designed by architect G.F.Hetsch in semi-oriental style. The building was completed in 1833, replacing all the small Synagouges around in the old city. Abraham Alexander Wolff who became chief-Rabbi in 1825 took the initiative to start the construction, which needed royal approval.

Since 1833 the Great Synagogue of Copenhagen, has been the heart and mind for the Jewish Community in prosperous times in the 1800-1900 hundreds, in the the darkest times during WW2.

The building was compleately renovated in 2016-2017 and is considered to be one of the most beautiful Synagogues in Europe.

Western Wall (Kotel)

The Western Wall, otherwise known as the Wailing Wall, often shortened to The Kotel, and known in Islam as the Buraq Wall, is an ancient limestone wall in the Old City of Jerusalem. It is a relatively small segment of an ancient retaining wall, originally erected to expand the Second Jewish Temple. Herod the Great initiated this construction, resulting in the enclosed, natural, steep hill that today, Jews and Christians refer to as the Temple Mount. It is a large rectangular structure topped by a flat platform, creating additional space for the Temple itself, auxiliary buildings, worshippers, and visitors.

The Western Wall’s holiness in Judaism is a result of its proximity to the Temple Mount. Because of the Temple Mount entry restrictions, the Wall is the holiest place where Jews are permitted to pray, though the Foundation Stone, the most sacred site in the Jewish faith, lies behind it. The original, natural, and irregular-shaped Temple Mount was gradually extended to allow for an ever-larger Temple compound to be built at its top. This process was finalized by Herod, who enclosed the Mount with an almost rectangular set of retaining walls, made to support the Temple platform and using extensive substructures and earth fills to give the natural hill a geometrically regular shape. On top of this box-like structure, Herod built a vast paved platform that surrounded the Temple. Of the four retaining walls, the western one is considered closest to the former Holy of Holies, which makes it the most sacred site recognized by Judaism outside the previous Temple Mount platform.

Just over half the wall’s total height, including its 17 courses located below street level, dates from the end of the Second Temple period, and is commonly believed to have been built by Herod the Great starting in 19 BCE, although recent excavations indicate that the work was not finished by the time Herod died in 4 BCE. The very large stone blocks of the lower courses are Herodian, the courses of medium-sized stones above them were added during the Umayyad period, while the small stones of the uppermost courses are of more recent date, especially from the Ottoman period.

The term Western Wall and its variations are mostly used in a narrow sense for the section traditionally used by Jews for prayer; it has also been called the “Wailing Wall”, referring to the practice of Jews weeping at the site over the destruction of the Temples. During the period of Christian Roman rule over Jerusalem (ca. 324–638), Jews were completely barred from Jerusalem except to attend Tisha B’Av, the day of national mourning for the Temples, and on this day the Jews would weep at their holy places. The term “Wailing Wall” was thus almost exclusively used by Christians, and was revived in the period of non-Jewish control between the establishment of British Rule in 1920 and the Six-Day War in 1967. The term “Wailing Wall” is not used by religious Jews, and increasingly not by many others who consider it derogatory.[5]

In a broader sense, “Western Wall” can refer to the entire 488-metre-long (1,601 ft) retaining wall on the western side of the Temple Mount. The classic portion now faces a large plaza in the Jewish Quarter, near the southwestern corner of the Temple Mount, while the rest of the wall is concealed behind structures in the Muslim Quarter, with the small exception of an 8-metre (26 ft) section, the so-called Little Western Wall. The segment of the western retaining wall traditionally used for Jewish liturgy, known as the “Western Wall” or “Wailing Wall”, derives its particular importance to it having never been fully obscured by medieval buildings, and displaying much more of the original Herodian stonework than the “Little Western Wall”. In religious terms, the “Little Western Wall” is presumed to be even closer to the Holy of Holies and thus to the “presence of God” (Shechina), and the underground Warren’s Gate, which has been out of reach for Jews from the 12th century till its partial excavation in the 20th century, even more so.

Whilst the wall was considered Muslim property as an integral part of the Haram esh-Sharif and waqf property of the Moroccan Quarter, a right of Jewish prayer and pilgrimage existed as part of the Status Quo.[6][7][8] This position was confirmed in a 1930 international commission during the British Mandate period.

The earliest source mentioning this specific site as a place of Jewish worship is from the 17th century.[9][10] The previous sites used by Jews for mourning the destruction of the Temple, during periods when access to the city was prohibited to them, lay to the east, on the Mount of Olives[5] and in the Kidron Valley below it. From the mid-19th century onwards, attempts to purchase rights to the wall and its immediate area were made by various Jews, but none was successful. With the rise of the Zionist movement in the early 20th century, the wall became a source of friction between the Jewish and Muslim communities, the latter being worried that the wall could be used to further Jewish claims to the Temple Mount and thus Jerusalem. During this period outbreaks of violence at the foot of the wall became commonplace, with a particularly deadly riot in 1929 in which 133 Jews were killed and 339 injured. After the 1948 Arab–Israeli War the eastern portion of Jerusalem was occupied by Jordan. Under Jordanian control Jews were completely expelled from the Old City including the Jewish Quarter, and Jews were barred from entering the Old City for 19 years, effectively banning Jewish prayer at the site of the Western Wall. This period ended on June 10, 1967, when Israel gained control of the site following the Six-Day War. Three days after establishing control over the Western Wall site, the Moroccan Quarter was bulldozed by Israeli authorities to create space for what is now the Western Wall plaza.[11]

Spanish Synagogue of Ferrara

A plaque at n° 41 Via Vittoria commemorates the Jews who were expelled from Spain and Portugal in the late 15th century, then taken in by Duke Ercole I Este, who saw them as a resource for his capital city. The exiled were deeply rooted in their cultural heritage, and immediately established their own independent prayer hall and built a cemetery.

The synagogue remained open until the Second World War, and was closed after the Nazi-Fascists raided it. It was on the first floor of the building, and has the traditional two-sided layout with the tevah opposite each other on the shorter sides, and public seating facing the central aisle. After the war, the Baroque furnishing was partly salvaged and relocated elsewhere. The tevah and the central polychrome marble section of the Aron were transferred to the winter prayer hall of the Jewish community in Livorno, named after the Ferrara-born Rabbi Isacco Lampronti, who had commissioned the ark in 1710. The sides of the Aron, made in wood and green lacquer are in the hall of the former Italian Temple. In the 1950s the synagogue was converted for residential use.

This synagogue was the hub of an extremely cultured Sephardic community that had had many prominent figures from the 16th century onwards including Abraham Usque, who was a famous printer and published the “Ferrara Bible” (1553), a Judeo-Spanish translation of the Bible; his sons were Samuel and Salomon, the latter remembered for his Spanish translation of Petrarch. There was a circle of Jewish and Christian intellectuals, led by Samuel Abravanel (1473-1547) and Dona Grazia Mendes (1510-1569), who greatly helped the conversos (Spanish Jews who had converted to Catholicism) return to their roots and Amato Lusitano (1511-1568), essayist and lecturer at the faculty of medicine.

Spanish synagogue

Looking up to the top of the building at number 8, Via S. Martino e Solferino, one notices two windows with colonnettes supporting an architrave; now the place is a private home. Now a private home, the top floor of the building used to house the Spanish rite synagogue, which the Marini family had built, beginning in 1617. In 1629, just a few years after its inauguration, the hall was seriously damaged by fire. It was later rebuilt and refurnished, and obtained its final layout in 1770. Like the Italian synagogue, it was an elongated rectangular space.

Its tevah and aron were made around 1729, and are placed at the centre of the longer sides. Here too there was a raised tevah with steps to either side and a baldachin with volutes.
The synagogue was active until 1892, after which only the Scuola Grande remained in use following the unification of religious rituals. After the war its furnishings were transferred to Jerusalem, and in 1958 they were relocated to the Hekhal Shlomo complex. In the current arrangement, in addition to different coloured paintwork, the tevah has been placed in the centre of the room, thus losing its original position against the wall for which it had been specifically designed.

Italian Synagogue

Only one of the three synagogues is still in use today. It was founded in 1548, perhaps to replace the previous Italian rite synagogue located in Piazza delle Legne.
Having been transferred to its current site as late as 1603, its interiors were completed during the 17th century and it was further renovated in the 19th century. It remained active until 1892, when the entire community decided to follow the Italian rite as standard, keeping only the Scuola Grande on Via delle Piazze in use. However, the Italian Synagogue was later restored after the Second World War, when the Scuola Grande was destroyed by fire and rendered inaccessible.

The hall is situated on the upper floor of a building which bears no external features to indicate its function. It has an oblong rectangular layout, organised according to the traditional bi-focal arrangement, with the aron and tevah placed centrally on opposite walls, in this case along the longest sides.

The seventeenth-century aron hakodesh has features in common with altars in various churches in Veneto from the same period. It is enclosed by carved, gilded wooden doors and is framed by an aedicule structure with veined grey marble columns and a semi-circular divided tympanum. On the opposite side, it is faced by an elaborate canopied tevah. This tevah, in keeping with a local tradition, was made entirely out of timber from a plane tree in the Botanical Gardens which had been struck by lightning in the 16th century. It has a raised base accessed by two curved staircases on either side.

The perimeter of the room is decorated with wooden panelling with seating for the public from the late seventeenth-century. The upper section of the woodwork, with marmorino inlaid panels, dates from work carried out in 1831, when it replaced gilded leather panels.

Via Cavalca Old Synagogue

There is evidence of a synagogue in the house at 36, via Cavalca, dating back to the early fifteenth century. As in most cases at the time, the synagogue was rented or purchased by the Community’s notables, and annexed to their house. The building on Via Cavalca was the da Pisa family’s residence, bankers who had held the monopoly of money lending for almost a century, following the Florentine government’s decision to group all the lenders into one institution.
In the course of its history, the Jewish community concentrated in a one area or another of the city. Towards the end of the thirteenth century there are references to an area near Piazza dei Cavalieri, known as “chiasso dei Giudei”. In the early fifteenth century the Jews concentrated in the Via Cavalca area, and in the late sixteenth century with the arrival of the Levantine merchants, in the opposite bank of the River Arno and settled in the Palazzo da Scorno (Via da Scorno / Lungarno Galilei). Finally, a few years later, the Community acquired its current premises in Via Palestro, which it rented in 1595 and purchased in 1647.

Synagogue of Pisa

Documents show that Pisa’s synagogue has occupied the same building since the end of the sixteenth century. Initially rented, the complex was purchased in 1647 and first renovated in 1785. In 1861-65 it was renovated again, to a project by the architect Marco Treves. Treves was a Jew from Vercelli working in Tuscany at the time, where he designed some major works for his Jewish clientele. The façade was redesigned, and is simple albeit echoing classical forms. The main hall of the synagogue on the first floor was raised, and Treves added both a second order of windows, and the large pavilion vault adorned with sober neoclassical decorations. The furnishings were rearranged according to layout that had become popular during the Emancipation, inspired by Roman Catholic churches: the tevah, enclosed by a semi-circular balustrade in walnut wood was placed next to the area of the Aron ha-Kodesh, creating a single focal point, like church cancels. The central space was entirely occupied by pews, in two sectors of parallel rows facing the Aron and the women’s gallery was on the opposite side, above the entrance.

The Sephardic Synagogue

The Jewish community of Pre-WW II Sighet had many synagogues and Shtebels (a small synagogue next to a home) with about a dozen large ones, serving the various religious denominations. The main larger synagogues belonged to orthodox and neolog Judaism. Neolog Judaism originated among a segment of Hungarian Jews, who integrated the emancipation decrees. The Conservative Movement evolved from Neolog Judaism Post WW II. Today the one and only remaining synagogue is the Sephardic Synagogue, also known as the Wijnitzer Klaus Synagogue. It was built in 1902 in an eclectic Moresque style, and was restored in 2004. The synagogue was a Vijnitzer Kloiz, and has nothing to do with the name “Klaus”. There is no daily or holidays Minyan, only when large groups are visiting the city.

The Synagogue of Saverne

A simple and modest oratory served for a long time as a place of worship for the Jews of Saverne in a house of the “Judenhof”, the courtyard of the Jews. In 1749, the Levi-Segal family donated a magnificent “Pahohet” (holy closet curtain) which was later displayed in the first synagogue.
This “Pahohet” is on display in the Museum of the Château des Rohan in Saverne as part of a permanent display case inaugurated in 2018. In 1779, thanks to two private donors, Salomon Lippmann and Simon Cerf, the first synagogue was built on “Rue des Juifs”. In 1835, a new synagogue was built to extend the old one, which was partially destroyed by fire in 1850.
It was not until 1900 that the present synagogue was built, far from the “Judenhof”, with its bulb marking the neo-Gothic orientalist style wanted at the time of its construction and preserved at the time of its reconstruction, as well as the building with oratory. Occupied and devastated by the Germans during the last war, it was restored and re-inaugurated in 1950.
Its size was reduced, the unused part being converted into an apartment.
The pulpit of the old synagogue, visible in the oratory adjacent to the current synagogue, as well as the altar of the same origin, used in the main place of worship, are registered in the inventory of Historic Monuments.

Image credit: Synagogue de Saverne © office de tourisme de Saverne et sa région

Synagogue of Obernai

A Jewish community was mentioned here for the first time as early as 1215. The synagogue was built in 1876 and was financed by the 205 members of the Jewish community of that time. Among the many historical remains of Obernai three sites show the presence of an ancient and important Jewish community that still exists today.
The oldest remains can be found in the ruelle des Juifs, on the upright of a semi-circular sandstone portal, Hebrew letters are engraved, uneasy to decipher. This is probably the entrance to the first medieval synagogue, the one mentioned in 1454.

At 43 rue du Général Gouraud, in a courtyard located behind the portal, several elements remind us of the presence of a place of worship:
A keystone of an arcade bears the Hebrew date of 5456 and the corresponding date of the Christian era, 1696. The synagogue was built on the first floor, two years after Intendant La Grange authorized Jews to own houses. Under the entrance porch a corner sideboard shows the two blessing hands of Aaron, and the inscription: “the Master, Rabbi Samson, the Cohen”. In the doorframe in the back an oblique notch shows the place of the mezuzah.

Along the walls and in the stairwell to the right, protected by a glass roof, one can see elements of the old synagogue, built thanks to the generosity of Jacob Baruch Weyl in 1771. These are the remains of the holy ark (aron hakodesh), which contained the Torah scrolls, and of the reading gallery (almemor) where the rabbis officiated and where the Bima or table for placing the Torah scrolls was located. This is a rare example of rococo decoration in an Alsatian synagogue and act as a compensation for the sobriety of the exterior of the building. One can also discern the traces of three hammered lilies, reminding us that Louis XIV protected the Jews of Alsace.

The present synagogue is a neo-Romanesque building built according to the plans of the architect Brion, inaugurated in 1876 and re-inaugurated in 1948. The tympanum of the entrance portal bears the Star of David with French and Hebrew inscriptions. Two sculpted capitals on either side of the door are the rare elements of exterior decoration.

Images attribution: © Ralph Hammann – Wikimedia Commons, CC BY-SA 4.0 , via Wikimedia Commons; Chris06, CC BY-SA 4.0 , via Wikimedia Commons; I, Ondřej Žváček, CC BY-SA 3.0 , via Wikimedia Commons

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