The Christian Quarter is one of the four quarters of the walled Old City of Jerusalem, the other three being the Jewish Quarter, the Muslim Quarter and the Armenian Quarter. The Christian Quarter is situated in the northwestern corner of the Old City, extending from the New Gate in the north, along the western wall of the Old City as far as the Jaffa Gate, along the Jaffa Gate - Western Wall route in the south, bordering on the Jewish and Armenian Quarters, as far as the Damascus Gate in the east, where it borders on the Muslim Quarter. The Christian quarter contains about 40 Christian holy places. First among them is the Church of the Holy Sepulchre, Christianity's holiest place. Most of its residents are Palestinian Christians, despite their dwindling numbers. The Christian Quarter was built around the Church of the Holy Sepulchre, which is the heart of the quarter. There is a cluster of churches and monasteries surrounding it. The quarter contains few residential houses, which are mostly concentrated in its southern-eastern part. Most buildings are religious, touristic, and educational in character, such as the Terra Sancta High School, the Lutheran School, the St. Pierre School, and the Collège des Frères at the New Gate. The quarter contains souvenir shops, coffee houses, restaurants and hotels. The shops are concentrated in the west–east market street, the David Street, and along the north-south Christian Quarter Road, or simply Christian Road. Some of the hotels, such as the Casa Nova Hotel and the Greek Catholic hotel, were built by the churches as places for visitors to stay. Others are private hotels. The quarter contains some small museums, such as the museum of the Greek Orthodox Patriarchate. In the southwestern part of the quarter there is a pool called Hezekiah's Pool or Patriarch's Pool that was used to store water for the area.
The Israel Museum is the largest cultural institution in the State of Israel and is ranked among the world’s leading art and archaeology museums. Founded in 1965, the Museum houses encyclopedic collections, including works dating from prehistory to the present day, in its Archaeology, Fine Arts, and Jewish Art and Life Wings, and features the most extensive holdings of biblical and Holy Land archaeology in the world. In nearly seventy years, thanks to a legacy of gifts and generous support from its circle of patrons worldwide, the Museum has built a far-ranging collection of nearly 500,000 objects, representing the full scope of world material culture. In November 2017, Prof. Ido Bruno took up his role as Director of The Israel Museum, Jerusalem. To Prof. Bruno's Welcome Address In the summer of 2010, the Israel Museum completed the most comprehensive upgrade of its 20-acre campus in its history, featuring new galleries, entrance facilities, and public spaces. The three-year expansion and renewal project was designed to enhance visitor experience of the Museum’s collections, architecture, and surrounding landscape, complementing its original design by Alfred Mansfeld and Dora Gad. Led by James Carpenter Design Associates of New York and Efrat-Kowalsky Architects of Tel Aviv, the project also included the complete renewal and reconfiguration of the Museum’s Samuel and Saidye Bronfman Archaeology Wing, Edmond and Lily Safra Fine Arts Wing, and Jack, Joseph, and Morton Mandel Wing for Jewish Art and Life. Among the highlights of the Museum’s original campus is the Shrine of the Book, designed by Armand Bartos and Frederick Kiesler, which houses the Dead Sea Scrolls, the oldest biblical manuscripts in the world, as well as rare early medieval biblical manuscripts. Adjacent to the Shrine is the Model of Jerusalem in the Second Temple Period, which reconstructs the topography and architectural character of the city as it was prior to its destruction by the Romans in 66 CE, and provides historical context to the Shrine’s presentation of the Dead Sea Scrolls. The Museum’s celebrated Billy Rose Art Garden, designed for the original campus by Japanese-American sculptor Isamu Noguchi, is counted among the finest outdoor sculpture settings of the 20th century. An Oriental landscape combined with an ancient Jerusalem hillside, the garden serves as the backdrop for the Israel Museum’s display of the evolution of the modern western sculptural tradition. On view are works by modern masters including Jacques Lipchitz, Henry Moore, Claes Oldenburg, Pablo Picasso, Auguste Rodin, and David Smith, together with more recent site-specific commissions by such artists as Magdalena Abakanowicz, Mark Dion, James Turrell, and Micha Ullman. The Ruth Youth Wing for Art Education, unique in its size and scope of activities, presents a wide range of programming to more than 100,000 schoolchildren each year, and features exhibition galleries, art studios, classrooms, a library of illustrated children’s books, and a recycling room. Special programs foster intercultural understanding between Arab and Jewish students and reach out to the wide spectrum of Israel’s communities. In addition to the extensive programming offered on its main campus, the Israel Museum also operates two off-site locations: the Rockefeller Archaeological Museum, an architectural gem built in 1938 for the display of archaeology from ancient Israel; and Ticho House, which offers an ongoing program of exhibitions by younger Israeli artists in a historic house and garden setting.
The Western Wall, otherwise known as the Wailing Wall, often shortened to The Kotel, and known in Islam as the Buraq Wall, is an ancient limestone wall in the Old City of Jerusalem. It is a relatively small segment of an ancient retaining wall, originally erected to expand the Second Jewish Temple. Herod the Great initiated this construction, resulting in the enclosed, natural, steep hill that today, Jews and Christians refer to as the Temple Mount. It is a large rectangular structure topped by a flat platform, creating additional space for the Temple itself, auxiliary buildings, worshippers, and visitors. The Western Wall's holiness in Judaism is a result of its proximity to the Temple Mount. Because of the Temple Mount entry restrictions, the Wall is the holiest place where Jews are permitted to pray, though the Foundation Stone, the most sacred site in the Jewish faith, lies behind it. The original, natural, and irregular-shaped Temple Mount was gradually extended to allow for an ever-larger Temple compound to be built at its top. This process was finalized by Herod, who enclosed the Mount with an almost rectangular set of retaining walls, made to support the Temple platform and using extensive substructures and earth fills to give the natural hill a geometrically regular shape. On top of this box-like structure, Herod built a vast paved platform that surrounded the Temple. Of the four retaining walls, the western one is considered closest to the former Holy of Holies, which makes it the most sacred site recognized by Judaism outside the previous Temple Mount platform. Just over half the wall's total height, including its 17 courses located below street level, dates from the end of the Second Temple period, and is commonly believed to have been built by Herod the Great starting in 19 BCE, although recent excavations indicate that the work was not finished by the time Herod died in 4 BCE. The very large stone blocks of the lower courses are Herodian, the courses of medium-sized stones above them were added during the Umayyad period, while the small stones of the uppermost courses are of more recent date, especially from the Ottoman period. The term Western Wall and its variations are mostly used in a narrow sense for the section traditionally used by Jews for prayer; it has also been called the "Wailing Wall", referring to the practice of Jews weeping at the site over the destruction of the Temples. During the period of Christian Roman rule over Jerusalem (ca. 324–638), Jews were completely barred from Jerusalem except to attend Tisha B'Av, the day of national mourning for the Temples, and on this day the Jews would weep at their holy places. The term "Wailing Wall" was thus almost exclusively used by Christians, and was revived in the period of non-Jewish control between the establishment of British Rule in 1920 and the Six-Day War in 1967. The term "Wailing Wall" is not used by religious Jews, and increasingly not by many others who consider it derogatory. In a broader sense, "Western Wall" can refer to the entire 488-metre-long (1,601 ft) retaining wall on the western side of the Temple Mount. The classic portion now faces a large plaza in the Jewish Quarter, near the southwestern corner of the Temple Mount, while the rest of the wall is concealed behind structures in the Muslim Quarter, with the small exception of an 8-metre (26 ft) section, the so-called Little Western Wall. The segment of the western retaining wall traditionally used for Jewish liturgy, known as the "Western Wall" or "Wailing Wall", derives its particular importance to it having never been fully obscured by medieval buildings, and displaying much more of the original Herodian stonework than the "Little Western Wall". In religious terms, the "Little Western Wall" is presumed to be even closer to the Holy of Holies and thus to the "presence of God" (Shechina), and the underground Warren's Gate, which has been out of reach for Jews from the 12th century till its partial excavation in the 20th century, even more so. Whilst the wall was considered Muslim property as an integral part of the Haram esh-Sharif and waqf property of the Moroccan Quarter, a right of Jewish prayer and pilgrimage existed as part of the Status Quo. This position was confirmed in a 1930 international commission during the British Mandate period. The earliest source mentioning this specific site as a place of Jewish worship is from the 17th century. The previous sites used by Jews for mourning the destruction of the Temple, during periods when access to the city was prohibited to them, lay to the east, on the Mount of Olives and in the Kidron Valley below it. From the mid-19th century onwards, attempts to purchase rights to the wall and its immediate area were made by various Jews, but none was successful. With the rise of the Zionist movement in the early 20th century, the wall became a source of friction between the Jewish and Muslim communities, the latter being worried that the wall could be used to further Jewish claims to the Temple Mount and thus Jerusalem. During this period outbreaks of violence at the foot of the wall became commonplace, with a particularly deadly riot in 1929 in which 133 Jews were killed and 339 injured. After the 1948 Arab–Israeli War the eastern portion of Jerusalem was occupied by Jordan. Under Jordanian control Jews were completely expelled from the Old City including the Jewish Quarter, and Jews were barred from entering the Old City for 19 years, effectively banning Jewish prayer at the site of the Western Wall. This period ended on June 10, 1967, when Israel gained control of the site following the Six-Day War. Three days after establishing control over the Western Wall site, the Moroccan Quarter was bulldozed by Israeli authorities to create space for what is now the Western Wall plaza.
Mahane Yehuda Market, often referred to as "The Shuk" (or "Machne", the "shorthand nickname" used by locals), is a marketplace (originally open-air, but now at least partially covered) in Jerusalem, Israel. Popular with locals and tourists alike, the market's more than 250 vendors sell fresh fruits and vegetables, baked goods, fish, meat and cheeses, nuts, seeds and spices, wines and liquors, clothing and shoes, housewares, textiles, and Judaica. In and around the market (whose name literally means "Judah's camp") are falafel and shawarma stands, juice bars, cafes, and restaurants. The colors and bustle of the marketplace are accentuated by vendors who call out their prices to passersby. On Thursdays and Fridays, the marketplace is filled with shoppers stocking up for Shabbat. Eventually, the bugle sound every Friday afternoon signifies that the market will soon be closing for the Sabbath. While the market stalls close before Shabbat, there are still some cafes and restaurants that remain open.
The David Amar Worldwide North Africa Jewish Heritage Center is a cultural hub and museum in Jerusalem, Israel. Established in 1865, it is located in the heart of the Mahane Israel (also Mahaneh Yisrael) neighborhood. Built in the mid-19th century by David ben Shimon, founder of the North African Jewish community in Jerusalem, the North African Jewish Heritage Center is housed in the quarter's oldest building. The museum contains permanent and temporary exhibits, focusing on the history and heritage of the Jewish communities of North Africa, particularly in Morocco, Algeria, and Tunisia. The restoration was funded by the Casablanca, a Morocco-based businessman, David Amar, and was renamed in his honor. Construction was completed within four years and required Moroccan craftsmen to create the intricate zellige mosaic tile work. However, it was considered quite controversial to reconstruct the building in an authentic Moroccan style. Some saw it as "importing foreign architecture and damaging a historic building", although it is expected to become one of Jerusalem's top tourist sites. It opened in June 2011 in the presence of President Shimon Peres and former President Yitzhak Navon. Photo Attribution: Heritage Conservation Jerusalem Pikiwiki Israel, CC BY 2.5 <https://creativecommons.org/licenses/by/2.5>, via Wikimedia Commons
The Jerusalem Cinematheque is a film archive in Jerusalem, Israel, founded by Lia van Leer in 1973. It was originally located in Beit Agron in the center of Jerusalem. In 1981, the Ostrovsky Family Foundation, the Jerusalem Foundation, the Van Leer Foundation, as well as private donors all financially supported a newly constructed building. This is situated near the Hinnom Valley and overlooks the Old City walls. In addition to screening halls, the Cinematheque houses the Israel Film Archive, an archive of films from the 1920s to current day. These include but are not limited to: The Nathan Axelrod Newsreel Collection, the Joan Sourasky-Constantiner Holocaust Multimedia Research Center, the Department for Film and Media Education, and the Lew and Edie Wasserman Film Library.